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Preface |
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| Jaqueline Berndt |
”Manga, Comics and Japan” An introduction |
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| Fabienne Darling-Wolf |
Japan’s Global Resonances: From ukiyo-e to La Nouvelle Manga |
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| Karl Ian U. Cheng Chua |
Japanese Popular Culture and its Re-definition from the Peripheries |
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| Ana Došen |
Probing the Manga ToPoEt(h)ics in Tezuka’s Message to Adolf |
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| Fusami Ogi |
Manga beyond Japan: How the Term Manga Has Globalized |
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| Ylva Lindberg |
Moving Manga: Integration and Bypassing as Strategies in the Cases of France and Sweden |
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| Lisa Medin |
Twisting the Mundane to the Fantastical in Manga-Inspired Comics: Experiences of a Swedish Artist |
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| Ananya Saha |
Manga as Mukokuseki (Stateless)? Hybridism in Original Non-Japanese Manga |
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José Andrés Santiago
Iglesias |
Berliac’s gaijin gekiga and the Mangaesque: Transnational Perspectives and Cultural Appropriation |
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| gastón j. muñoz j. |
Gender, Politics and Manga in Current Chilean Art |
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| Lukas R.A. Wilde |
Character Street Signs (hyōshiki): “Mangaesque” Aesthetics as Intermedial Reference and Virtual Mediation |
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| Per Israelson |
The Vortex of the Weird: Systemic Feedback and Enviromental Individuation in the Media Ecology of Ito Junji’s Horror Comics |
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| Sharalyn Orbaugh |
Compulsorily Queer: Coercion as a Political Tool in Queer Manga |
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| Patrick W. Galbraith |
Encountering Uchiyama Aki: On the Need for Situated Knowledge and Learning in a Global World |
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| Kazumi Nagaike |
BL Manga Studies: Essentializing and Queering “Japanese Studies” |
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| Natalia Samutina |
The Made in Abyss Controversy: Transnational Participatory Cultures as Cultural Interpreters of Japanese Texts |
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Bio blurbs |
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